Adelina the Jester is the title of a brand new chamber oratorio featuring Inversion Ensemble. With the libretto by playwright Katie Bender and music by composer Andrew Grainger, it is being developed in Austin with performances at the Scottish Rite Theater in June, 2024.
About Adelina the Jester
What compelled us to create this work? We were fascinated by the story of Adelina, the only woman listed in the Domesday Book (C.E. 1086, see below) as holding the job of court jester. We couldn't let her existence fade into the past. Instead, we wanted to introduce her to a 21st-century audience and at the same time show that some of the problems and heartbreaks of the medieval world are with us today. We know very little about her, except that she owned land in her own name and that she plied her trade at the court of Earl Roger de Montgomery. More is known about Earl Roger than about Adelina, but it is her uniqueness as a female jester that inspired this work. Soloists sing the roles of Adelina, Earl Roger, King William II, and Fitzhugh. Only Fitzhugh is fictional. Each of the soloists is paired with a contemporary dancer, who, as something like an avatar, expresses each soloist’s emotions. The dancers also help propel the narrative. A chorus fills the roles of peasants, courtiers, and other English folk. A small orchestra made up of lute, harp, guitar, recorder, and percussion provides accompaniment and musical interludes. Two remarkable artists combined their talents to bring Adelina to life. Andrew Grainger is the composer, and Katie Bender is the playwright/librettist. Read their biographies on The Team page.
About the Domesday Book
In the 11th century, the Normans of northern France were expanding their influence. As part of that movement, William of Normandy sought to enforce his claim to the throne of England. In 1066, then, he invaded and defeated Harold Godwinson at the Battle of Hastings, becoming England’s King William I. William realized he needed to learn more about his new domain. So in 1086 his agents spread out across England to record data regarding many aspects of English life, such as land ownership, occupations, livestock numbers, and enterprises such as water mills, beehives, and quarries. Samples of the many occupations and the number of people who held those positions include independent farmers (36,897), swineherds (556), fishermen (92), and gold embroideress (1). It was said that not a single cow, horse, or pig went uncounted. Within a year the agents had compiled some two million words, written in Latin with goose quills on sheepskin. Like the Norman Conquest of 20 years earlier, what was then called the King’s Book was not popular; resentment and dissent were common across England. The massive work became known as the Domesday Book because it was associated with the “book of life” from which, as their priests proclaimed to the English people, there was no escape. The Domesday Book remained central to English legal authority for hundreds of years. This remarkable document is now fully available online here
William II 'Rufus' - King of England 1087-1100 and De facto Duke of Normandy 1091-1100
The Domesday Book Completed in 1086 at the behest of King William I (William the Conquerer)