Adelina the Jester is the title of a musical production that premiered in Austin, Texas in 2024. The libretto is by playwright Katie Bender and the music by composer Andrew Grainger.
About Adelina the Jester
What compelled us to create this work? We were fascinated by the story of Adelina, the only woman listed in the Domesday Book (C.E. 1086, see below) as holding the job of court jester. We couldn't let her existence fade into the past. Instead, we wanted to introduce her to a 21st-century audience and at the same time show that some of the problems and heartbreaks of the medieval world are with us today. We know very little about her, except that she owned land in her own name and that she plied her trade at the court of Earl Roger de Montgomery. More is known about Earl Roger than about Adelina, but it is her uniqueness as a female jester that inspired this work.
Soloists sing the roles of Adelina, Earl Roger, King William II, and Fitzhugh. Only Fitzhugh is fictional. A chorus fills the roles of peasants, courtiers, and other English folk. A small orchestra made up of lute, harp, Baroque guitar, recorder, organ, and percussion provides accompaniment and musical interludes. Adelina the Jester can be staged either as an opera or as a chamber oratorio. If produced as an opera, all the singers are very active on stage. If as a chamber oratorio, the singers perform in concert format before music stands. In this version, each of the soloists is paired with a contemporary dancer, who, as something like an avatar, expresses each soloist’s emotions. The dancers also help propel the narrative.
Two remarkable artists combined their talents to bring Adelina to life. Andrew Grainger is the composer, and Katie Bender is the playwright/librettist. Read their biographies on The Team page.
In all of England in the year 1086 C.E., only one woman was working as a court jester. Her name was Adelina, and we know about her because she appears in the Domesday Book, the compendium of the English people and their property commissioned by William the Conqueror. However, we know little about her, except that she was employed by Earl Roger de Montgomery, and she owned land in her own name. Adelina’s possible life as a jester, her connection to Earl Roger and his participation in the Rebellion of 1088, and how she may have come to own her land form the basis for the plot of Adelina the Jester.
About the Domesday Book
In the 11th century, the Normans of northern France were expanding their influence. As part of that movement, William of Normandy sought to enforce his claim to the throne of England. In 1066, then, he invaded and defeated Harold Godwinson at the Battle of Hastings, becoming England’s King William I. William realized he needed to learn more about his new domain. So in 1086 his agents spread out across England to record data regarding many aspects of English life, such as land ownership, occupations, livestock numbers, and enterprises such as water mills, beehives, and quarries. Samples of the many occupations and the number of people who held those positions include independent farmers (36,897), swineherds (556), fishermen (92), and gold embroideress (1). It was said that not a single cow, horse, or pig went uncounted. Within a year the agents had compiled some two million words, written in Latin with goose quills on sheepskin. Like the Norman Conquest of 20 years earlier, what was then called the King’s Book was not popular; resentment and dissent were common across England. The massive work became known as the Domesday Book because it was associated with the “book of life” from which, as their priests proclaimed to the English people, there was no escape. The Domesday Book remained central to English legal authority for hundreds of years. This remarkable document is now fully available online here